Franco Martorana in theSaint of Bleaker Street. Rehearsal for the Menotti Tribute. Christine Steyer in the Saint of Bleaker Street. Rehearsal for the Menotti Tribute. Barbara Landis in a rehearalScene from Amahl and the Night Visitors 1 Minute rehearal Scene![]() Gian Carlo Menotti ![]() ![]() ![]() ![]() ![]() Wm. B. Sullivan Realty & Co. RAVINIA "A Great time in a Wonderful Place" SJC ![]() Adopt a Pet, Come for a Visit ![]() CAGIS Archaeological Consulting Services |
![]() Amahl and the Night Visitors © Suburban Journals of Chicago Inc. photo review and commentary by Ed Vincent Barbara Landis has enjoyed the genius of the late Gian Carlo Menotti for many years, and with his passing this year felt moved to present some of his signature works in a moving tribute to the much loved composer and maestro of the modern world. Gian Carlo Menotti began the Spoleto Festival in 1958 with a vision of a Christopher Columbus (Cristival Colon) of culture. Francis Menotti told us that his dad loved life and had a passion for the arts. Gian Carlo Menotti wanted North American talent to get a chance at appearing on the stage in Europe and so he formed the Spoleto Festival, which branched into other countries-all with the aim of giving another voice and stage for the arts. ("1958 gives way to the beginning of the Festival of Two Worlds, an event unique in its conception, spirit and criteria, embracing all aspects of the performing and figurative arts. It is the first festival of its kind in Italy and will remain the only one for many years to come.") ![]() The Saint of Bleecker Street © Suburban Journals of Chicago Inc. photo Barbara Landis deserves an award for putting this all together, for having the vision, and acting on that vision to gather some of the best local talent and even some from across the country. During the rehearsal for the performance I noted an Olympian gathering of talent, beautiful staging and lighting, and top notch theatrics on each of the performers. Some of the arias gave a setting of a Kafka play, others perhaps embraced a Samuel Becket drama, the compilation as a performance is a wonderful blend of the late maestro's works. His son, Francis took an integral role in the staging and artistic vision of the show. I saw his keen eye on each step and nuance of the rehearsal and his lips mouthing each lyric that his father had written, a testament of love and an appreciation for an influential artist of his time. The late Gian Carlo Menotti had a gift for music, the arts in general, philanthropy, and a desire to share the arts with the world. His festival in Italy, its import of artistic drama, has served and continues to serve as a catalyst for all artists. The Sundance film festival (started by Robert Redford) has a similar ethos, as do many other branches growing from the artistic vision of the Menotti family. If you want to witness, to experience, one of the top shows of the year, you will want to see "A Brilliant Life, A Brilliant Night - a tribute to Gian Carlo Menotti." ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() © Suburban Journals of Chicago Inc. photos Spoleto Festival in Italy Information in English Spoleto's Location Lat: 42:44:02N (42.7338) Lon: 12:44:57E (12.7491) Map of Umbria Since 1977 in the United States ![]() A Brilliant Life, A Brilliant Night - a tribute to Gian Carlo Menotti. (left to right) Tenor Franco Martorana. conductor Victoria Bond, son of Gian Carlo Menotti and director Francis Menotti, Chamber Opera Chicago Artistic director Barbara Landis and soprano Christine Steyer. Chamber
Opera Chicago About A Tribute to Gian Carlo Menotti… CHAMBER
OPERA CHICAGO PRESENTS A BRILLIANT
LIFE, A BRILLIANT NIGHT! A
TRIBUTE TO GIAN CARLO MENOTTI
October 13,
2007 Chicago,
IL – Chamber Opera Chicago begins
its 2007-08 Season with A Brilliant Life, A
Brilliant Night! A
Tribute to Gian Carlo Menotti, celebrating one of the most
acclaimed and
prolific opera composers and librettists of his time.
Gian Carlo Menotti
passed away in February of 2007; his son, Francis
Menotti, will direct the production, utilizing much of his father’s
original staging. October 13
at the Oak
Park Arts Center, 200 N. Oak Park Ave, Oak Park. Best
known for his holiday classic Amahl and
the Night Visitors, this two-time Pulitzer Prize winner's
simplicity of
style and natural musicality, paired with an innate gift for
storytelling, make
his work both accessible and entertaining for both experienced
opera-goers and
novices. A
Brilliant Life, A Brilliant
Night will showcase highlights
from eleven of
Menotti’s best loved operas including The
Telephone, The Medium, The Old Maid and the Thief, Amahl and the
Night Visitors, The Consul, Amelia Goes to the Ball, The Saint of
Bleecker
Street, Help, Help, the Globolinks!,
Goya, The Last Savage, and Maria
Golovin and will be sung in English with a live Chamber Orchestra
conducted
by Victoria Bond. “My
father hoped that through study and understanding a little more, he
might find
a sign or some answer as to why we are all here, and why we do what we
do,”
writes director Francis Menotti. “Since
his death, his music sounds stronger
and more complete. It takes on a new
power. Its magic survives human frailty
and as his gift, lives on. It has an
inevitability to it that he always believed was a necessary element in
any work
of art – a sense that it couldn’t have been any other way.” “The
genius of Gian Carlo Menotti captured my
attention when I was preparing the role of Baba in The
Medium at the Spoleto Festival in Italy,” says Chamber Opera
Chicago Artistic Director Barbara Landis.
“He had such a remarkable talent for
creating characters that were larger than life with his music and text,
leaving
his audiences amazingly fulfilled. He
uniquely blends music with a riveting theatrical experience, deeply
capturing
life and drama in opera by creating orchestral scores and musical
vocabulary that
weave true magic into the experience. These
performances will showcase those same Menotti gifts,
as we honor
this great artist and man who has allowed his audiences, as the New
York Times
noted, to experience ‘opera …written from the heart, with a blazing
sincerity
and passion of human understanding.’” The
cast of A Brilliant Life, A Brilliant Night features more than thirty professional singers,
including Anton
Belov, Patrick Blackwell, Barbara Landis, Franco Martorana, Christine
Steyer.
The performance will be conducted by Victoria Bond. Tickets
are $25 for adults and $20 for Seniors (65+)
and Students with a valid ID and are available by phone at 312-951-7944
or
online at www.chamberoperachicago.org. All curtain
times are at 7:30pm. A
complimentary preview performance, featuring select excepts accompanied
by
piano, will be performed October 1, at 7:00 pm at the Chicago Cultural
Center,
Claudia Cassidy Theater (78 E. Washington St. and 77 E. Randolph St.,
Chicago,
IL). A pre-performance discussion with
director Francis Menotti and conductor Victoria Bond, moderated by
Richard
Covello, will be held at 6:30pm. No
tickets or reservations are required. Company
Bios FRANCIS MENOTTI (stage director) was born in Philadelphia and studied at the Goodman Theater in Chicago. He perfected his craft with Lee Strasberg in New York and began his career with the American Shakespeare Festival in New York. He has interpreted roles ranging from the opera works of Gian Carlo Menotti (and is famous for his portrayal of Toby in The Medium) to the narrator in both Beethoven’s Egmont in the Alice Tully Hall in New York and Schoenberg’s Ode to Napoleon at the Charleston Festival. Following in the footsteps of his adoptive father, Gian Carlo, Francis Menotti took over much of the responsibility for the Festival of Two Worlds in Spoleto, Italy and became its Artistic Director in 1999. The festival has been revitalized thanks to his spectacular artistic choices, and he has also made artistic contributions to more than 52 festivals throughout the United States, Italy and Australia. In February 2007, he directed a very successful, critically acclaimed production of The Medium with the Monte Carlo Opera.
ANTON BELOV (featured guest artist - baritone) is quickly earning recognition from audiences and critics alike. “A performance of great emotional honesty; singing straight from the heart”, exclaimed Opera News. “A voluminous sound, appealing stage presence and a tone of rich vibrancy that remained consistent at all dynamic levels,” raved the Washington Post. Mr. Belov is the first-place winner of eight vocal competitions including the George London Competition, Licia Albanese—Puccini Foundation International Competition, and Metropolitan Opera National Council Auditions (Eastern Regional Winner) as well as the second-place winner of Classical Singer Magazine Competition. Mr. Belov’s recent operatic performances include the title role in Delaware Opera’s production of Don Giovanni, Masetto with Boston Baroque, John Sorel in The Consul (Menotti) with Opera Boston and Chamber Opera of Chicago, Count Almaviva in Le nozze di Figaro and Ping in Turandot with the New Jersey Opera Theater, Malatesta in Don Pasquale with Opera Providence and Elijah with Worcester Festival Chorus. His upcoming engagements include the roles of Escamillo with Opera by the Bays and the Cape Cod Opera, and Count di Luna with the Anchorage Opera.
BARBARA LANDIS (mezzo-soprano) received critical praise for her portrayal of Baba in Gian Carlo Menotti’s opera The Medium with Chamber Opera Chicago in 2005. She also covered and studied the role of Baba with the composer at the 2002 Festival of Two Worlds in Spoleto, Italy. Ms. Landis can be heard on Cedelle Records’ The Medium starring Joyce Castle with Chicago Opera Theater. In 2003, she sang in recitals at the Spoleto Festival and then in 2004 in Modena, Italy. She has sung roles with Komische Oper München (Munich Comic Opera) in Germany and while studying at the Britten-Pears School in England, she sang the role of Lucretia (The Rape of Lucretia), which was taped for broadcast by the BBC. Barbara has also specialized in roles with a Spanish flair. She has performed the role of Carmen with numerous opera companies including Opera North Theater, American Opera Group, in San Francisco with the Golden Gate Opera and the San Francisco Lyric, and in concert with the National Symphony Orchestra in the Dominican Republic. Other roles for which she has received critical acclaim include Prince Orlofsky in Die Fledermaus and Mad Margaret in Ruddigore with Light Opera Works, Azucena in Il Trovatore with da Corneto Opera in Chicago, and the Secretary in Chamber Opera Chicago’s production of The Consul. In December 2006, she appeared as Katisha in The Mikado with Light Opera Works.
PATRICK BLACKWELL (bass-baritone) A house singer with the Lyric Opera of Chicago, he made his debut there in 1997 as Burnah in the highly acclaimed world premiere of Anthony Davis’ Amistad. He has since returned to Lyric as Henry Davis in its premiere of Street Scene, as Cal in Regina and the Duke of Verona in Romeo et Juliette. He made his New York City Opera debut singing the roles of Dr. Grenvil in La Traviata and Colline in La Bohème. Among his other notable portrayals are Leporello in Don Giovanni, Zuniga and Morales in Carmen, and Baron Duphol in La Traviata. He has performed with companies including the New Jersey State Opera, Florentine Opera, Augusta Opera, Western Opera Theatre, and Fort Worth Opera. Mr. Blackwell made his Carnegie Hall debut as the bass soloist in Earnestine Rogers Robinson’s Crucifixion. He also has credits in musical theater, cast as Joe in Showboat with Rockwell Productions and with LiveEnt in Vancouver, Canada, where he was an ensemble member and covered that role. Mr. Blackwell began his career as a young artist with the Santa Fe Opera, Houston Opera Studio, the Merola Opera Program, Opera Music Theatre International with Jerome Hines, and the Aspen Opera Theatre Center. CHRISTINE
STEYER (soprano)
was recently awarded the Founders’ Award at the IX Altamura/Caruso
International Voice Competition and 1st place in the 2006 National
Opera
Association Competition. She has been
highly praised for her rich tone, superb artistry and charisma and was
featured
in the December issue of Classical Singer
magazine. In 2007 she made her Tulsa
Opera debut as Frasquita in Carmen
and also performed the role of Abigail in The
Crucible with Chamber Opera Chicago and Violetta in Bellissima Opera's
La Traviata. Next year she will return to Tulsa Opera to sing
Pamina in The Magic Flute. She has performed roles with Lyric
Opera of
Chicago in Street Scene, Sweeney Todd, Cunning Little Vixen and Manon
Lescaut.
Native Italian FRANCO
MARTORANA (tenor) made his operatic debut as Alfredo in Johann Strauss’
Die Fledermaus with Lincoln Opera and
then sang Camille in The Merry Widow
and Pinkerton in Madama Butterfly. Shortly after, he sang
Pinkerton again in
Germany to glowing reviews. With Lyric
Opera of Chicago, Mr. Martorana sang the Messenger in Aida and at the
Opera Theatre of Humbach, Germany, the roles of
Alfredo in La Traviata CHAMBER OPERA
CHICAGO
is
a professional not-for-profit opera company devoted to
presenting operas in
English in intimate settings and providing performance opportunities
for
Chicago-area singers. The Chamber Opera
Chicago Orchestra is distinguished by top orchestral players and
first-rate conductors,
and has been highly praised by both critics and audience members alike. With award-winning designers and acclaimed
directors from around the world, audiences can expect high quality,
innovative
productions that bring opera to life. ![]() ![]() ![]() © Suburban Journals of Chicago published by Suburban Journals of Chicago Inc. |
![]() Chronology * Amelia al Ballo (1937)
* The Old Maid and the Thief, radio opera (1939) * The Island God (1942) * The Medium (1946) * The Telephone, or L'Amour à trois (1947) * The Consul (1950) * Amahl and the Night Visitors, television opera (1951) * The Saint of Bleecker Street (1954) * The Unicorn, the Gorgon, and the Manticore (1956) * Maria Golovin (1958) * Labyrinth television opera (1963) * The Last Savage (1963) * Martin's Lie (1964) * Help, Help, the Globolinks! (1968) * The Most Important Man (1971) * Tamu-Tamu (1973) * The Egg (1976) * The Hero (1976) * The Trial of the Gypsy (1978) * Chip and his Dog, on commission for the CCOC (1979) * La Loca (1979) * Missa 'O Pulchritudo' (1979) * A Bride from Pluto (1982) * The Boy Who Grew Too Fast (1982) * Goya (1986) * The Wedding (Giorno da Nozze) (1988) * Goya [rev.] (1991) * The Singing Child (1993) ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |