SYNOPSIS
OF SEMELE
SEMELE
GEORGE FRIDERIC HANDEL
Traditional
Setting: Roman Mythic Times
The
marriage of Semele to Athamas is being celebrated in Thebes. Semele
seeks to postpone the ceremony, for she is in love with Jupiter. It is
interrupted and Semele is carried off to Cithaeron. In her palace
there, Semele revels in the love of Jupiter, who brings her as
companion her sister Ino. Juno, enraged by her husband's infidelity,
calls on the god of sleep to arouse Jupiter with a dream so erotic that
he can refuse no request that Semele might make; then, in Ino's guise,
she counsels Semele to demand that Jupiter come to her not in mortal
form by as the Mighty Thunderer - only thus, she says, can Semele
secure immortality. This Semele duly does when Jupiter, eager for her
embrace, approaches her. Bound by his oath to comply with her request,
he has to obey; inevitably, she is consumed by his fire. The people of
Thebes mourn her but celebrate the birth from her ashes of a new deity,
Bacchus.
ACT
I
Near the
altar is a golden image of the Goddess. Priests are in their
solemnities, as after a sacrifice newly offer'd; flames arise from the
altar, and the statue of Juno is seen to bow. Cadmus, King of Thebes,
his daughters Semele and Ino, and Prince Athamas of Boeotia have
assembled with priests: the marriage of Semele and Athamas is to be
solemnized and the approbation of Juno, goddess of marriage, is noted
and celebrated (Lucky omens). But all is not well. Cadmus and Athamas
are both constrained to plead with Semele, whose unwillingness to
proceed with the ceremony is plain. Semele begs help from Jupiter (Oh
Jove! in pity), either, she says, 'to incline me to comply, or help me
to refuse'. Athamas construes her behaviour as actuated by her love for
him and calls on Hymen to assist his pleas (Hymen, haste). It is now
Semele's sister Ino who delays the ceremony by expressing her sorrow:
she herself is in love with Athamas and loath to lose him
to Semele. None of the others comprehends, however, and they express
only puzzlement and sympathy at her distress (Why dost thou thus
untimely grieve).
Thunder
is heard in the distance and the fire on the altar wanes. The priests
note the bad omens (Avert these omens, all ye pow'rs! ) and the fire
rekindles. But again it fades. Athamas pleads to Juno, and Semele to
Jupiter. A loud clap of thunder is heard and the altar sinks. Fearing
Jupiter's wrath, all except Ino and Athamas flee (Cease your vows).
Athamas mistakes Ino's emotion for mere sympathy and upbraiding (You've
undone me - With my life I would atone).
Cadmus,
in mournful mood, returns with his attendants. He tells of the
astonishing events that have just taken place: how Semele, surrounded
by flames, was seized by a mighty eagle and snatched heavenward,
leaving a diffusion of 'Celestial odour and ambrosial dew'. Priests and
Augurs enter, but the doom Cadmus expects is not forthcoming; rather,
they sing of mirth and triumph and tell him to cease his mourning
(Hail, Cadmus, hail!). From a distance Semele's voice is heard (Endless
pleasure, endless love); her song is taken up by the priests and the
people.
ACT
II
Juno,
queen of the gods as well as goddess of marriage, and her attendant
messenger, Iris, enter. Iris tells Juno about the 'new-erected palace'
that Jupiter has provided for Semele on Mount Cithaeron (There, from
mortal cares retiring). Juno is incensed at her husband's new love and
swears an oath of vengeance, not only on Semele but on all 'Agenor's
curst race' (Jupiter's previous love had been Europa, daughter of the
Phoenician king Agenor and aunt to Semele). Iris warns Juno of the
dragons that protect Semele's palace; Juno determines to call on
Somnus, god of sleep, who can seal the 'wakeful dragons' eyes' (Hence,
Iris, hence away).
An
apartment in the palace of Semele; she is sleeping, Loves and Zephyrs
waiting.
Semele,
waking, calls on sleep to return and restore her erotic 'visionary
joys' (Oh sleep, why dost thou leave me?). Jupiter, in human form,
enters and reassures her (Lay your doubts and fears aside); she
responds amorously (With fond desiring). All sing of the pains and joys
of love (How engaging, how endearing).
But
Jupiter detects a certain discontent in Semele, which she explains as
the consequence of her mortal state in a world of deities. He is
disturbed at her dangerous aspirations to immortality (I must with
speed amuse her). All sing in praise of Cupid (Now Love, that
everlasting boy). As a distraction for Semele, Jupiter dispatches his
winged Zephyrs to fetch Ino, her sister, from Thebes and bring her as a
companion. He then turns the scene into Arcadia and celebrates rural
delights (Where'er you walk).
Ino
arrives and describes to Semele her unusual journey and the sweet music
she heard (But hark! the heav'nly sphere turns round); the sisters,
then everyone, praise the joys of music (Bless the glad earth with
heav'nly lays!).
ACT
III
The cave
of Sleep; the God of Sleep lying on his bed. A soft Symphony is heard
afterwards. Juno calls Somnus to wakefulness. He is reluctant to stir
(Leave me, loathsome light!). She renews her call, mentioning the name
of Somnus's favourite nymph, Pasithea, to arouse him; he wakes and
sings of his delight in the nymph (More sweet is that name). Juno
commands him to instruct his attendant Morpheus to provide Jupiter with
a dream 'in shape of Semele, But far more beautiful, And more
alluring', to arouse his desire to such a pitch that he can refuse no
favour she might ask as a condition for her love; further, Juno demands
that Somnus hand over his leaden rod of sleep so that she can subdue
the dragon sentinels and Ino, whom she intends to impersonate. Somnus
duly complies (Obey my will - All I must grant).
Semele,
alone, remains discontent (My racking thoughts by no kind slumbers
freed). Juno enters, in the guise of Ino, holding a magic mirror; she
lavishly praises what she calls Semele's 'divine perfection' and
wonders whether Jupiter has consented to her becoming immortal. She
shows Semele her image in the mirror, deceiving her into thinking
herself far more beautiful than she is; Semele revels in it (Myself I
shall adore). Juno advises her to take full advantage of her situation
and to demand that Jupiter come to her bed not as a mortal but 'like
himself, the Mighty Thunderer, In pomp of majesty and heav'nly attire':
only thus, she says, could Semele become immortal. Semele thanks her;
as Jupiter approaches, Juno retires, elated at having duped the 'vain
wretched fool' into destruction.
Jupiter
enters and makes to embrace Semele; she looks kindly on him but retires
a little. He pleads for her love (Come to my arms, My lovely fair); she
keeps him at a distance (I ever am granting). He presses her to ask
anything she requires; before she responds, she demands that he swear
an irrevocable oath, by the River Styx, that he will not refuse her. He
does so, calling on Olympus to shake in witness; its distant rumblings
are heard. She tells him that he is to come to her not in human shape
but as Jupiter himself. 'Ah, take heed what you press', he exclaims;
but Semele, imagining that he is merely reluctant to accord her
immortality, will not give way (No, no, I'll take no less).
She goes
to prepare herself. Jupiter, left alone, pensive and dejected, bitterly
regrets his impetuous oath; for if he appears as the Mighty Thunderer
'she must a victim fall', for all that he may apply his 'softest
lightning' and 'mildest melting bolt'. Juno delights in her triumph
(Above measure, Is the pleasure).
The
scene discovers Semele while a mournful Symphony is playing. She looks
up and sees Jupiter descending in a cloud; flashes of lightning issue
from either side and thunder is heard grumbling in the air. Semele
realizes the consequences of her vanity and ambition (Ah me! too late I
now repent). Consumed by Jupiter's fire,
she dies.
In
Thebes, Ino - now returned - is with Cadmus, Athamas and priests; they
have witnessed the demise of Semele as some kind of fiery storm (Oh
terror and astonishment!). Ino relates that Hermes, messenger of the
gods, has told her of Semele's fate, and also that Jupiter commands her
and Athamas to wed; Athamas contentedly accepts the situation. A bright
cloud descends and rests upon Mount Cithaeron, which opening, discovers
Apollo seated in it as the God of Prophecy. Apollo predicts that a
phoenix shall rise from Semele's ashes, a god more mighty even than
Love - it will be Bacchus, god of wine. Everyone celebrates this
fortunate outcome (Happy shall we be).