
"OBRIGADO BRAZIL" by Yo-Yo
Ma
review by Ed Vincent
"Oak Park Journal Highly Recommended"
This album is so mello and smooth
you could take a moment to sit in your yard and imagine a peaceful pond
even if you have no water in your yard. This is a tremendous selection
of tunes to make all right no matter what is going on at work or home.
Yo Yo Ma will be a Ravinia
later next month on the 7th of
August. You will
want to hear him play there and get this
album, especially if you don't
have that pond in your yard.
This is not the first time that
Ma has worked with others of varied talents in different forms of folk
and popular music and like his previous works this is a hit. Thanks
for bringing your wonderful talent and Brazil into my heart.
I have the pond and the album
and everything is fine.
OBRIGADO BRAZIL
TAKES CELLIST YO-YO MA
TO THE HEART OF BRAZILIAN MUSIC,
FROM SAMBA & BOSSA NOVA
TO CLASSICAL
SONY CLASSICAL CD TO BE RELEASED
ON JULY 29, 2003
Ma Collaborates With Stars Of
Brazilian, Latin American Music Including Egberto Gismonti, Paquito D'Rivera,
Oscar Castro-Neves, Cyro Baptista, Sergio & Odair Assad, More
Musicians Reunite For
Performances At Tanglewood & Ravinia Festivals, Carnegie Hall, Hollywood
Bowl, Kennedy Center Scheduled for August & September
(New York, NY, July 29, 2003)
- Cellist Yo-Yo Ma returns to the sounds and rhythms of Latin America with
his latest Sony Classical recording Obrigado Brazil, exploring the rich
variety of the music of Brazil.
Ranging from the popular sounds of samba, bossa nova and choro to the classical
music of such composers as Heitor Villa-Lobos, the recording teams Ma with
some of today's hottest performers in Brazilian and Latin American music
- multi-instrumentalist Egberto Gismonti, guitarists Oscar Castro-Neves,
Romero Lubambo and duo-guitarists Sergio and Odair Assad, singer/guitarist
Rosa Passes, clarinetist Paquito D'Rivera, pianists Cesar Camargo Mariano
and Kathryn Stott, and percussionist Cyro Baptista. Obrigado
Brazil will be released on Tuesday, July 29, 2003.
"I've always loved Brazilian
music," Ma says. "There's an undercurrent of sensuality in it that is incredibly
seductive. It's a place between the conscious and the unconscious - a place
where the rational and the irrational meet."
Yo-Yo Ma won one of his 14 Grammy
Awards for his first recording of music from South America - Sou/ of the
Tango, featuring works by Argentina's master of nuevo tango,
composer Astor Piazzolla. Jorge
Calandrelli arranged the music on that recording, and he has returned to
create the arrangements for Obrigado Brazil, with Egberto Gismonti
and Sergio Assad contributing
the arrangements for their own compositions.
Obrigado Brazil embraces the
full range of Brazil's unusually diverse musical culture. The cool
intensity of samba and bossa nova may be the calling card of Brazilian
music today, but it derives from a richly layered musical tradition that
begins with indigenous sounds and rhythms that have been transformed by
European and African influences.
Even Brazil's foremost classical
composer Heitor Villa-Lobos founded his work on these sounds.
Yo-Yo Ma and the other musicians
on Obrigado Brazil will tour throughout the summer and into the fall. After
performances in Amsterdam, Cologne and London, they will appear at the
Tanglewood Festival in Lenox, Massachusetts
(August 3); Ravinia Festival in Chicago (August 7);
the Hollywood Bowl (August 10);
the Kennedy Center in
Washington (September 23)
and the opening festival at Zankel Hall
in New York's
Carnegie Hall (September 24).
Joining Ma on Obrigado Brazil
in new treatments of their own works are Egberto Gismonti ("Bodas de Prata"
& "Quatro Cantos" and "Salvador"), Sergio Assad ("Menino") and Cesar
Camargo Mariano ("Cristal" and "Samambaia"). "All of the musicians on this
album are absolute masters of their specific genres of Brazilian music,
and everybody is incredibly generous," Ma says. "The recording session
was like one long party - really warm and festive."
Two songs of bossa nova master
Antonio Carlos Jobim may be the most instantly recognizable tracks on Obrigado
Brazil - "Chega de saudade" and "0 amor em paz," both featuring Rosa Passes'
rapt vocals echoing the sound of Jobim and Joao Gilberto's original recordings.
Oscar Castro-Neves joins Ma in a delicate, sensuous duet version of "Apelo"
by the influential guitarist/composer Baden Powell. The legendary
instrumentalist Pixinguinha - one of the first black Brazilian musicians
to win international fame - is represented here by "1x0" and "Carinhoso."
Composer Waldir Azevedo's "Brasileirinho," a hit from the 1940s, is one
of five chores
on Obrigado Brazil, this one
bringing Ma together with D'Rivera, Lubambo, Baptista and others.
The choro is a uniquely Brazilian form that blends African rhythms and
Portuguese popular musical
styles with European classical influences. Also included here is "Doce
de coco" by the mandolin virtuoso Jaco do Bandolim, one of the masters
of the choro who gained international
fame in the 1950s and 1960s.
From the world of Brazilian classical
music come two pieces by Villa-Lobos ("Alma brasileira" and "A lenda
do cabocio") and two works by the 20th-century composer Mozart Camargo
Guarnieri ("Dansa brasileira" and "Dansa negra").
An exclusive Sony Classical artist,
Yo-Yo Ma recently released Paris - La Belle Epoque, a disc of French Romantic
violin works transcribed for cello, with pianist Kathryn Stott. The
work of his internationally acclaimed Silk Road Project also has been documented
in the Sony Classical CD Silk Road Journeys: When Strangers Meet.
Yo-Yo Ma's Obrigado Brazil
will be featured on Sony Classical's Web site at www.sonyclassical.com
and on Yo-Yo Ma's artist domain at www.Yo-YoMa.com.
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